Sunday, February 12, 2017

#Scriptchat Transcript w/ @timschildberger of @LiveReadLA - Scene Description February 12, 2017

Tonight we talked with Tim Schildberger @timschildberger of LiveReadLA about writing effective scene descriptions and how to cut those one-line characters. Enjoy! @jeannevb

Don't forget to check out @LiveReadLA and get $5 off with promo code "scriptchat" - details here.

Read the transcript below or on the Storify site.


#Scriptchat Transcript w/ @timschildberger of @LiveReadLA - Scene Description February 12, 2017

#Scriptchat Transcript w/ @timschildberger of @LiveReadLA - Scene Description February 12, 2017

Tonight we talked writing effective scene descriptions and how to cut those one-line characters. Enjoy! @jeannevb

  1. Don't forget to check out @LiveReadLA and get $5 off with promo code "scriptchat"  http://scriptchat.blogspot.com/2017/02/tim-schildberger-of-livereadla-to-guest.html 
  2. @dreamer13711 "small characters" meaning the ones with just a line or two of dialogue #scriptchat
  3. Hannah - too many writers throw in characters with one line only. A guard 'drop the gun' - type stuff. #scriptchat
  4. #scriptchat Oh wait adele's on. Hold up. Must multi-task. She's the only one that sings for real.
  5. We all write scenes naturally. So we 'see' waiters asking the leads for a drink. But in a script - they slow it all down. #scriptchat
  6. So for those who don't know, @timschildberger runs LiveReadLA. He's sharing tips he's picked up from hearing table reads #scriptchat
  7. At our last read - one writer had 9 one line characters in 30 pages! #scriptchat
  8. @timschildberger I'm trying to keep mine as simple as possible, not going into a lot of details (clothes, hair, etc.) #scriptchat
  9. @SarahAlexis4 Hey Sarah! *waves from down below* Hope you're having a fun, safe flight! #scriptchat
  10. A big standout in live reads is scene description. Too long, too clunky, etc. So, @timschildberger, let's do this! #scriptchat
  11. Resist the urge to write a novel in scene description for several reasons... #scriptchat
  12. @timschildberger what is the most consistent problem writers seem to have w/ scene description? #scriptchat
  13. @timschildberger @SarahAlexis4 @jeannevb How many lines would you devote to scene description? Most scripts I've seen use lots #scriptchat
  14. 2. Unless it's relevant, no-one really cares if the character's show color. #scriptchat
  15. 3. Production designers, costume folk HATE being limited by a scene description. #scriptchat
  16. @timschildberger What about what takes place in the background (like at an office or restaurant, etc.)? #scriptchat
  17. @timschildberger Q: Tips on achieving a good balance of white/space on the page in description for easy read? #scriptchat
  18. @SarahAlexis4 I would advise writing as little as possible, and adding if folks get confused. Not the other way around. #scriptchat
  19. @timschildberger And what are some scripts with good, lean examples of scene description? #scriptchat
  20. @filmwritr4 If the BG action is relevant to the scene - great. If you're directing extras...Definitely NOT. #scriptchat
  21. @filmwritr4 I would look at any professional screenplay - unless it's an action film - less talk, more explosions means more SD #scriptchat
  22. Anyone want to guess what the other MAJOR issue with SD is? Really common issue I'm noticing. #scriptchat
  23. @timschildberger The last script I read for my writers' meeting (La La Land) had LOTS of description, but understandable #scriptchat
  24. It's not overuse or underuse...it's telling readers things the audience can't know. #scriptchat
  25. @timschildberger I've heard that a lot. Only write what the audience will see and hear. #scriptchat
  26. If you say 'Betty, 26, just returned from Hawaii and hates snakes' - and she's sipping tea at a Diner in the scene... #scriptchat
  27. It's lazy writing alas. And it's writing for the reader, not for the viewer. RESIST. #scriptchat
  28. This is a mentality I brought into the brainstorming: #scriptchat
  29. @timschildberger Better to say "sporting a fresh tan and wears a T-shirt declaring 'I hate snakes'." #scriptchat
  30. I can't tell you how often I see it. It's a pet peeve. The trick is to show us, or reveal it to the audience. It's the challenge #scriptchat
  31. If I have an idea for a character trait, I immediately think of how to express it visually or audibly #scriptchat
  32. @timschildberger pretty easy to reveal she's afraid of snakes via her actions. Just watch me when a snake slithers by ha #scriptchat
  33. Or have her scratch her sunburn and tell the waitress Hawaii was awesome...many ways to do it. #scriptchat
  34. And for overused Voice over - but that's another scriptchat. :) #scriptchat
  35. You could go all in with the inner dialog thing and let us see different aspect of the personality argue. #scriptchat
  36. We all do it. We want to explain the character quickly and SD seems very convenient. #scriptchat
  37. Does anyone else here draw? I found that training to be very useful in creating characters and settings. #scriptchat
  38. Though, that would be more of the realm of an off the wall comedy. #scriptchat
  39. @timschildberger a lot of people use the rule "no more than 3 lines of description" #scriptchat
  40. @jeannevb @timschildberger Good rule! Once you get longer then 3 lines - worth reviewing if it's all necessary for sure. #scriptchat
  41. @timschildberger I wrote a post about polishing a screenplay full of tips I've learned from @UnkScreenwriter. I'll find it. #scriptchat
  42. @timschildberger @jeannevb Might also be a good sign to change the perspective if it's a long bridge between dialogu #scriptchat
  43. I find in my writing a huge challenge is revealing backstory. Really tempting to throw it all into SD. #scriptchat
  44. And we all write because we have the vision in our head right...some of us see shoe color and style. So I understand. #scriptchat
  45. @timschildberger How can you reveal backstory visually? What would you suggest? #scriptchat
  46. But scripts are really exercises in self discipline - especially TV. #scriptchat
  47. The best way to avoid overdescribing things: knowing someone later will have a better idea than you. #scriptchat
  48. @filmwritr4 Figure out what's really crucial first. What contributes to story and character. #scriptchat
  49. Script gets made, you got professionals coming in who will have ideas you never thought of. Tell them want you want, not need. #scriptchat
  50. @Al_1701 @timschildberger Same here, but if you follow that thread, it can lead to interesting places. #scriptchat
  51. @Al_1701 @timschildberger If you see the character's shoes clearly, what are those shoes telling you about the character? #scriptchat
  52. @timschildberger I know that visuals are important, especially in the plot of a story. If there's a close shot of an object... #scriptchat
  53. @blueneumann Exactly. Leave the set design and costumes to the professionals. just use guidelines. #scriptchat
  54. @timschildberger The invitation idea. Invite the others down the line to do their best work #scriptchat
  55. @jeannevb Thanks! Submissions are open until Friday - so you have time to hack the SD and submit. :) #scriptchat
  56. @timschildberger Like a photo, painting or other object, I'm thinking that might help visually illustrate backstory #scriptchat
  57. I'm not saying don't say anything - but 'Joe, 35, dressed in an expensive suit' is all you need. #scriptchat
  58. Backstory seems to be one of those things where you might want to resist temptation to tel the whole story. #scriptchat
  59. Front loading in SD - we'll forget anyway by the time it may be useful or relevant. #scriptchat
  60. @Al_1701 If that's important to the story David...by all means. If it's just because you like them...then no. :) #scriptchat
  61. We're talking scene descriptions for those who just popped in #scriptchat
  62. Resisting the overuse of SD also helps you figure out your characters. #scriptchat
  63. @timschildberger It would probably only become relevant when he checks it anyway. #scriptchat
  64. How would they react to a line of dialogue, or something in a scene...you need to know that more. #scriptchat
  65. @Al_1701 @timschildberger or the alarm goes off. "Mathematical!" "Gunter, it's four o'clock! (quak quak)" #scriptchat
  66. @timschildberger @Al_1701 BB-8 watch. He hooks it up to the bomb fuse and it goes "Whooo! Uh-oh!" #scriptchat
  67. In broad terms...EVERY SCENE should either inform character or story. Nothing else. That's the starting point. #scriptchat
  68. @timschildberger How would you go about efficiently using scene description in comedy? #scriptchat
  69. @blueneumann @timschildberger I also love those little nuggets of humor. You have this one thing off about the picture. #scriptchat
  70. So that informs SD. Is my character description useful to only those two masters? If not...I'm writing too much. #scriptchat
  71. You can definitely add personality to SD - just a little - to avoid cliches. #scriptchat
  72. 'Jake, 47, walks like a constipated duck' enters the restaurant. #scriptchat
  73. Big fan of SDs having personality. Makes it more than a stage or a location. #scriptchat
  74. @timschildberger I try to use strong active verbs in action. Anything else like that you recommend keeping in mind? #scriptchat
  75. @filmwritr4 Sitcom scripts are masterful displays of 'less is more' - you have 22 pages to tell everything. Don't waste a word. #scriptchat
  76. Wirh SD less is more See too many scripts come across our desk that reads like a novel... #ScriptChat
  77. The personality of the scene ideally complimenting or contrasting with the characters in the scene. #scriptchat
  78. @SarahAlexis4 I was told once no SD should have a word ending in 'ing' No 'drinking', 'running' etc. She drinks, runs, etc. #scriptchat
  79. @timschildberger I've read a lot of sitcom scripts myself. Everything is tight and compact, and of course, funny #scriptchat
  80. @GorillaProducer Aren't they hard work? Worst is when the writer feels very proud of themselves for being a novelist! #scriptchat
  81. @timschildberger Regarding verbage, I've seen scripts where one action is either like "stops, turns..." or "Stops. Turns." #scriptchat
  82. Flowery language, vivid scenes, deep unseen emotions...great...and wrong medium. #scriptchat
  83. It's amazing when a script is read live - all this stuff becomes super obvious. #scriptchat
  84. We've had writers at the read shrink in their chair, saying they had no idea they wrote a novel. #scriptchat
  85. You see bored audience, hear too much from the person reading the SD - it's super obvious super fast. #scriptchat
  86. @timschildberger Q: any thoughts on how to effectively use scene description to transition from one scene into the next? #scriptchat
  87. Something I've realized is we don't have many main characters on there really on the spectrum. #scriptchat
  88. Novelistic language is like showing your work in math. If you want, do it in your brainstorming. Script is answer sheet. #scriptchat
  89. We've had shows and movies about autism, but from the perspective of the neural typicals around them. #scriptchat
  90. @SarahAlexis4 Again Sarah - I would encourage the Keep It Simple Stupid plan (KISS) #scriptchat
  91. Economy of words takes practice… but is an extremely valuable skill to develop. #scriptchat
  92. So no...'sweeping crane shot on suburban street, smash cut to Billy skipping on the sidewalk. #scriptchat
  93. @dwacon Oh yeah. I was a TV news Journalist - 30 seconds of copy had to be exact. Amazing what can be done. #scriptchat
  94. @Al_1701 There aren't too many times that happens...but yes definitely. Can still be done simply. #scriptchat
  95. @dwacon Please NO! Until you're Tarantino, and no-one will tell you to cut anything. #scriptchat
  96. @timschildberger Use sparingly. Definitely since there won't be many times it will be in that position anyway. #scriptchat
  97. You waste valuable time getting a waiter to ask a question. And you have to pay another actor. It's all too messy. #scriptchat
  98. @timschildberger What's been among the most interesting/informative feedback you've experienced in table reads? #scriptchat
  99. These skills will rapidly make your script look more professional - which makes people keep reading. #scriptchat
  100. @filmwritr4 Hmm...characters that resonate/or don't. Hearing jokes land/fail, people missing the plot/story. #scriptchat
  101. Waiter appears… “The usual, and she’ll have a nicoise with a cabernet.” #scriptchat
  102. It's interesting when listeners get something I didn't see in my script, like a character vibe. #scriptchat
  103. @dwacon Exactly. Money and time saved. (apart from the extra who's moment has gone) :) #scriptchat
  104. @timschildberger I had a table read once at one of my writers' group meetings. Very informative, and very helpful. #scriptchat
  105. @timschildberger @dwacon Def. something I think about when making micro-characters: let them all have a moment. #scriptchat
  106. @dwacon You missed earlier - a liveread last month - 30 pages of script - 9 one line characters. #scriptchat
  107. @timschildberger Have you ever had web series scripts read? I know you're accepting them for submissions... #scriptchat
  108. @filmwritr4 It's incredibly helpful Chris. More than you realize beforehand. #scriptchat
  109. Animation let's you be a little more liberal with one line characters because the voice talent for more primary characters... #scriptchat
  110. @filmwritr4 we haven't yet - but we're hopeful. We've had a few plays submitted...one was a finalist. So soon I hope! #scriptchat
  111. @filmwritr4 Oh yes. It's such a quick way to see if your script is heading where you want. #scriptchat
  112. @timschildberger Awesome. I've been working on a web series for the past few years. I'm considering submitting. #scriptchat
  113. Live reads in front of strangers also good to test if your story has 'legs' - I've shelved a few after several reads. #scriptchat
  114. @Al_1701 I would caution against that thinking. Extra speaking parts risks confusing the audience. #scriptchat
  115. @timschildberger Though I'm hoping to get feedback on it from my group, as well as my cast/crew. I might come up with another #scriptchat
  116. @timschildberger It depends on the talent. Some people have a thousand voices. Some have just one. #scriptchat
  117. One line characters like 'Ill have what she's having' in 'Harry Met Sally' work. So think like that! #scriptchat
  118. @timschildberger Are the scripts that are usually submitted in first draft form? #scriptchat
  119. If you're going to throw in a random for one line...make it memorable. And valuable. Otherwise... NO NEED. #scriptchat
  120. @Al_1701 True - but you're still dealing with a confused audience if you load up on random characters. #scriptchat
  121. @timschildberger I remember they had to pay an extra the speaking rate because she screwed up and said something. #scriptchat
  122. @filmwritr4 Hard to tell. Most scripts still need work...but then don't most scripts in the world? :) #scriptchat
  123. It was in Star Trek IV. However, it the line was so good that they ate the expense to leave it in. #scriptchat
  124. @Al_1701 I'm sure that happens...which is awesome...but way beyond where we are. #scriptchat
  125. @Al_1701 I don't think "nuclear wessels" would be as iconic if that woman hadn't put that button on the scene. #scriptchat
  126. Can I tell you a secret? The whole 'learn the rules before you can break them' - I hated and resisted for years... #scriptchat
  127. And you know what happened? I wasted YEARS as a writer, not willing to learn, grow, develop. Don't waste time with exceptions. #scriptchat
  128. @timschildberger You don't break the rules. You bend them until they scream for mercy. #scriptchat
  129. We can find examples that don't fit. Like we can find the one bartender who's first draft got sold. EXCEPTIONS. #scriptchat
  130. These are 2 simple tips that will make your script look so much better, tighter, more professional quickly. #scriptchat
  131. @timschildberger I've always hated contrarianism, in both script and prose. Things work for a reason. Don't go against them... #scriptchat
  132. @Al_1701 I've learned there's a time and place for your originality. Mostly in a kick ass story/characters. #scriptchat
  133. @jeannevb Yes, please. And use the discount code!! Save money! Use it for free flash feedback! #scriptchat
  134. Also - being more disciplined in SD will make the lives of readers like me...much better. And we'll love you. #scriptchat
  135. @timschildberger did you want to touch on character descriptions at all? Things that have stood out during the live reads? #scriptchat
  136. And when we're casting for a LiveRead - not making actors read one line...they don't enjoy that. #scriptchat
  137. @jeannevb character description...they're tricky. I tend to go super lean. Because no-one remembers details. #scriptchat
  138. I don't enjoy reading lengthy costume lists. Or educational background, or who they're related too. #scriptchat
  139. I like gender, age, a few vague words on wardrobe, and if there's something relevant - like walking with a limp,or size #scriptchat
  140. It's a game with character description - as few words as possible to convey as much as possible. #scriptchat
  141. I know the issue of race has come up recently. Where a character is supposed to be ethnic but they just cast white actors. #scriptchat
  142. Words like 'weary', or 'worn', gives the actor in the read enough of a cue, so it will inform the reader too. #scriptchat
  143. @Al_1701 That's out of our hands David. Just make the race clear...same with gender. #scriptchat
  144. @timschildberger Thanks so much for joining us tonight, Tim! Thanks too to @jeannevb for having him! Will check out @liveReadLA! #scriptchat
  145. @timschildberger 1 tip I always keep in mind is not to insult the actor w/ too much detail. Let them do their job. #scriptchat
  146. And if down the line it's changed...hopefully you've been paid...and you can afford to drown your sorrows. #scriptchat
  147. @jeannevb exactly true! Exactly. Man do they hate being led into obvious town. #scriptchat
  148. @timschildberger @jeannevb @liveReadLA Really enjoyed hearing from you about description, and thanks for sharing your knowledge! #scriptchat
  149. @blueneumann @timschildberg @jeannevb @timschildberger I would say character description is more for the benefit of the casting #scriptchat
  150. All yall, may I recommend trying your hand at drawing? Really trains the eye, which helps with SD and CD #scriptchat
  151. Thanks to all! I hope it was helpful. Remember... LESS IS MORE. :) #scriptchat
  152. And I hope you'll check out our LiveRead - submit, come along March 6, or watch online! #scriptchat
  153. Let me know of topics or guests you want for upcoming #scriptchat.

Thursday, February 2, 2017

Tim Schildberger of LiveReadLA to Guest on February 12th

One of the best ways to test your writing is to hear it read out loud. Tim Schildberger @timschildberger started LiveReadLA @LiveReadLA to give writers a chance to have their work read during the writing process, not after a polish. The instant, live feedback by actors, special guest industry insiders (the next insider is Malcolm Spellman @MalcolmSpellman - writer/producer of EMPIRE), and audience members, help the writer have a more efficient and successful rewrite.

Sunday, February 12th at 5PM PT, Tim will guest to discuss a couple of topics most often addressed in those live reads: 
1. Efficient writing of scene descriptions
2. What to do with characters who only speak one useless line

The best way to chat is at this site that autoadds the #scriptchat hashtag. Detailed chat instructions are here.

If you're curious about LiveReadLA but don't live in Los Angeles, they are now streaming the reads online! Peek in and check it out for yourself.

If you'd like to enter for a chance to be the next script read on March 6th with industry insider guest Malcolm Spellman @MalcolmSpellman (writer/producer of the hit show EMPIRE), enter here, and put in the promo code scriptchat to get $5 off any listed option. The next submission deadline is February 17th.